Blood, Bones and Tim Curran

What I have here for you is a review of Tim Curran's wonderful book Blood, Bones and Bullets, a book I liked so much that I asked him for an interview. He agreed. After my review is the interview. Enjoy!

 

Blood, Bones and Bullets

by Tim Curran

review by Robert Essig

 

 

Tim Curran weaves a story like he's touching the souls of his characters and bringing forth the very essence of their lives, as is exemplified in the three novellas that are collected in the Darkfuse release of Blood, Bones and Bullets.

The first story (my personal favorite), entitled "Puppet Graveyard" follows Kitty Seevers as she becomes wrapped up in the bizarre world of ventriloquist Ronny McBane and his dummy Piggy. It's hard to tell who the real dummy is, and that Piggy has a mouth on him. Not just a horror story, but a mystery that brings the reader into the trappings of twisted minds and madness.

"The Underdwelling" takes us on a journey beneath the earth into the caverns of Hobart Mine. Boyd is the new guy and a bit nervous about an eight-hour day underground. When a new shaft opens up on the lowest level of the mines Boyd is included in the exploration party. What they find is a prehistoric world unseen by human eyes. After the opening is collapsed their fears become real. This story comes alive through the boisterous banter of the men as they navigate the mines. Curran has a gift with realistic and believable dialogue that effortlessly carries the story.

The trilogy is capped off with a stint behind the bars of Shaddock Valley maximum security prison in a story called "Fear Me". You think prison is rough and tough and scary as hell, just add something that stalks at night, something that cannot be restricted my mere steel bars and concrete walls and you've got yourself one hell of a horror story.

Tim Curran is about as prolific as they come, as anyone will see just perusing his books on Amazon. He has a true talent for telling a story. Through Tim's prose I had a glimpse into three unique tragedies and I look forward to relishing in more of his horrific visions.

 

 

An interview with the Corpse King himself:

 

Robert Essig: Hello, Tim! Welcome to my blog. I've got the bone saw and forceps out, so let's pick your brain a bit. I'll have you stitched up and out of here in no time. Why don't you begin by telling us a little bit about yourself?

Tim Curran: Not much to tell. I work in a factory and write fiction as a hobby that's probably almost an obsession. It's all I really do. It's taken over everything. It's a great, hungering beast that allows me no social life or friends. It's too jealous for that.

RE: My favorite story in Blood, Bones and Bullets is "Puppet Graveyard". Piggy, the ventriloquist dummy in the story, steals the show. There were some amazing scenes with Ronny and Piggy that created palpable tension between the two. Where did the inspiration for Piggy come from?

TC: Ventriloquist dolls are weird and creepy.  We know they're just wood and plastic and what not...yet we do not trust them. Like puppets or mannequins, they seem to have a morbid half-life all their own. They are like us...but grotesque and exaggerated. There seems to be something behind their shining glass eyes, a malignant anti-human sort of sentience as if they know something we don't and have glimpsed things we wouldn't care to see. That's the inspiration for Piggy--the idea that there might some diabolic, spectral intelligence behind those eyes, plotting and scheming.

RE: Do you have any rituals that you perform before, during, or after the process of writing a novel?

TC: No, none. I have a very practical work ethic--I think of an idea and I let it form in my mind for days or weeks, sometimes months or years. When it's ready, it floats to the surface. Then I look for the opening sentence that intrigues me and might grab a reader and I build that into a paragraph. That first paragraph is important. Whether it's a story, novella, or a novel, it doesn't matter. The first paragraph sets tone, pacing, atmosphere, everything. If I have a good first line and first paragraph, I can make things happen.

RE: One of the elements that stood out in "The Underdwelling" was the dialogue. The banter between the miners made me feel like I was right there conversing with them. In the story "Fear Me" the dialogue is important in weaving a realistic look at life behind bars including prison slang. How do you approach dialogue?

TC: Every occupation and walk of life has it's own banter. In doing a story, I research the way the people in it talk, the jargon they use, the lives they lead. Realistic dialogue is very important. If you lack that, your characters seem hollow.

RE: What kind of stories do you enjoy reading?

TC: I read just about everything, save for fluff like paranormal romances. I like horror, of course, but I also devour science fiction. I'm not so much interested in the genre as I am in the story. If the story grabs me, I'll read it whether it's mainstream or genre or literary. The storyline is always the thing. I enjoy history, too. Especially dark history like the Black Death or the European witchcraft persecutions. Anything like that.

RE: Most of your books are stand-alones at a time when trilogies and sequels seem to be so popular (particularly when it comes to zombie fiction). Do you prefer stand-alone stories over a series or sequels and if so, why?

TC: Sequels are fine, but I rarely think any character is that fascinating that I want to write (or read) book after book after book about them. The problem with series is that they run dry pretty fast and part of the fun of any character is letting/watching them develop. You don't know who they are in the beginning, you find out a little at a time. In a series, you already know who they are and what they will and won't do so that takes a lot of the fun away from it. And if there's a sequel, well, you know somebody's going to survive so that steals a lot of the narrative tension away. The problem with zombie series is that 99% of them follow the same tired plot--a group of people get their hands on machine guns and what not and spend the entire book blowing away dead people. None of it is scary. They're really not horror novels, but action-adventure potboilers that throw in a some monsters so there's something to shoot. You'll find very few that don't have gun plots, ex-military or special forces type characters. The influence of first-person shooter games is obvious. And that's too bad because REAL people surviving a zombie pandemic has potential, but most of it tends to have very thin characterizations or comic book type hero and villain characters who are more preposterous than the walking dead themselves.

RE: So you're stranded on a desert island and, I dunno, maybe you have an old arm crank Victrola. Which three records and which three books would you like to bide your time.

TC: I would take The White Album by the Beatles because it's weird, catchy, and creative. Paranoid by Black Sabbath for those days I needed to be a doom-laden badass.  And maybe a collection of classical music so I could get some culture. I would choose fat books that would keep me going awhile. The Complete Short Stories of H.G. Wells because it's fat and the stories are great. War and Peace because it's huge and I think you can read it five or six times and discover a new novel every time. My third book would probably be a collection by Thomas Ligotti...although being alone and reading stories about lonely, alienated, and possibly insane outsiders might not be a good idea when you're alone on an island. So scratch that and give me Robinson Crusoe.

RE: Maybe someone is reading this who hasn't sampled your work yet. Which one of your books is a good place to start?

TC: Actually, I think Blood, Bones and Bullets is a perfect place to sample my stuff.

RE: Describe your writing style in a few words.

TC: I try not to let the dust settle.

RE: Anything coming out soon that you would like to plug?

TC: Next thing I have coming out will probably be Afterburn from Severed Press. There's also a novel from DarkFuse called Doll Face. Not sure when that one will be out, though.


 

I want to thank Tim for doing this interview. I am becoming a rapid fan of his work and will be reading more very soon. I suggest you do the same. Purchase Blood, Bones and Bullets HERE. Visit Tim Curran's website HERE.

Robert's Random Musing #2

Kids Say Some Funny Shit

 

 

Bill Cosby probably has a copyright on Kids Say the Darnedest Things, so I figured I'd better use an even more appropraite title for this musing.

 

The other night My wife and I had dinner at a local casino. We ate the buffet and they practically had to wheel us out of the place in gastrointestinal despair. It was a good buffet and to top it off Dawn won $75 on a slot machine while we waited like sheep to the slaughter to eat like a bunch of fat pigs.

 

On the way to pick our son up from my parents' house we dropped by our house to grab something. Our dog Velvet insisted on coming with us to get Noland. For a dog of nine years and more gray on her muzzle with every passing day, she's a spunky old lady.

 

We get home with Noland. It's dark. Velvet sneaks off under the pomegranate tree while we get the front door open. When she gets in the house she does that scoot dogs do when they wipe their ass on your carpet, something she'd done at my parents' house. She's never had worms, but I know that's a sign. Without getting into gross details, that's how the eggs are hatched. I decided to go outside and check the gift she left us beneath the pomegranate tree. You know, just in case. If my dog is having an issue I want to know so I can get her the help she needs.

 

Noland follows me outside and I tell him to stand back because, like most five-year-old boys, he wants to get right up into what's going on. In this case, that would mean a shoe full of dog shit. Soon enough I locate Velvet's donation to the fertilization of the pomegranate tree and so does Noland. He says, with all the glee of a little boy, "It's a juicy one!" I chuckle. No worms. Looks like a perfectly healthy dog turd.

 

We turn to go back in the house and Noland says, "It's a fresh one!" He then rubs his belly and says, "Velvet made it in her oven."

 

I couldn't help bursting out in laughter.

 

Yep, kids say some crazy shit.

Looks Like You Been Hittin' the Pus a Little Hard Lately

The following is a review of Shane McKenzie's bizarro novel Pus Junkies that originally appeared in Splatterpunk #5.

 

 

 

 

Shane McKenzie is a seriously disturbed individual.

Any author who describes a thick globule of pus as “custard” might want to consider a head shrinker.  Or maybe not. ‘Cause it’s that kind of warped mind that brings us such a nasty treat as Pus Junkies, Shane's first bizarro novel from Eraserhead Press.

Kip suffers from a debilitating case of acne that has earned him the grand title of the Toad from his jeering classmates. His cousin Zak, an instantly popular and good-looking guy, comes to live with Kip and his mother and decides he’s going to bring Kip out of his shell. When the students who have poked fun at Kip his entire life find out that the pus from his zits has intense, addictive properties akin to a one-two meth- ecstasy-like knockout, the tables turn and kip has to deal with hysterical popularity like he could never have imagined. That’s when the shit really hits the fan.

I’ve been a fan of McKenzie’s work for some time now. When I heard he was writing a novel called Pus Junkies I think I cackled, because that’s not only a brilliant title, but a cringe worthy and vile pretense for a story, considering the brief synopsis explaining that yes, Kip’s schoolmates find out that his pus is a drug, and yes, they want to “lick the Toad”. Ever thought about licking someone’s pimply face? Me neither. But let me tell you, that kind of nastiness makes for one hell of a riveting story, and not just because of the gross-out factor and the blood and guts. There’s much more to Pus Junkies than that.

Writing a book that is dripping with bodily fluids and ample with potential gag reflexes could easily become gratuitous and boring, and could certainly fall into the stinking pit of ridiculosity, however McKenzie, an author who is not only comfortable with extreme horror, but has cut out his niche there, knows how to do it right, and that begins with stunning characterizations that bring Kip and Zak to life. I’ve met these guys. I’ve known them, because they breathe from the pages no matter what kind of sick shit McKenzie puts them through. And that’s goddamned important, because sick shit without believable characters is just sick shit, and that doesn’t work for me.

Pus Junkies is a gripping tale that, if you strip away the blood, guts, and pus, you’ll find more relevant with every story you see on the news about a kid being bullied and taking his or her life or taking the lives of others. Well worth the price of admission.

 

***

If this sounds like the kind of crazy shit you're interested in reading then why not buy a copy of Pus Junkies or Shane's more recent bizarro novel Toilet Baby.

Robert's Random Musing #1

Robert's Random Musings is a new feature I will be writing here on my blog. I have a lot of time to think during the work day, being that I'm a house painter. That's one hell of a mundane job and I can only listen to so many books and tunes on my ipod, and even less talk radio, so the ol' mind gets a workout. This will be the place I can write some of those thoughts. Your mileage may vary.

***

Goals



Do you have goals? I think most of us do, but I have to confess that witnessing the population of San Diego through the eyes of a worker who is right in the thick and thin of it I have come to the conclusion that many people have no goals at all. Or maybe just one goal, and that's to do whatever they can to not have to do much of anything. Pretty sad stuff, right?

Most people have goals, though. I have goals. Goals for my family, goals for my career, goals for my writing. Some are long term and others short.

Though this year was kind of a dud for me writing wise, I hit one of my short term goals. I sold my first pro-rate short story. I was excited to get the email, but good news doesn't have the lingering effect one would hope for, at least not for me. Soon enough self-doubt is rearing its ugly head and I find myself questioning everything. But, as if turns out, I've already hit one of my short term goals for 2015, one I didn't hit this year. One of my goals for the past several years has been to have at least two pieces of long fiction published in a year. I already have two slated for release in 2015. My Gothic novella SALPSAN will be published by Damnation Books and my novel IN BLACK  will be published by Eldritch Press.

Feels good to hit a few goals and to start 2015 ahead of the game. I hope you're managing to hit some of yours as well.

Third Novel to be Published...

...By the fine folks at Eldritch Press!

In Black, my third novel of horror, has just been picked up by Eldritch Press and is slated to be released in 2015. I will be sure to make updates as we draw near the release date. Keep your eyes here and on Eldricth Press' website.

If you want a taste of my fiction you can read my story "Like Ants on a Carcass", available for free at Eldritch Press.com. Also, look for my horrific view of the pitfalls of addiction and success in my story "High Fashion" that will appear in Eldritch Press' debut anthology Our World of Horror. The full TOC will be posted on their website soon.

Pleasant nightmares!

-Robert

Free Story for Halloween

Well, it's the week before Halloween, so I decided to publish a flash fiction story I wrote a few weeks ago called Fitting In. Every year I have the desire to write Halloween stories this time of year, but I always have a difficult time rendering original ideas. For a holiday that celebrates the dark side you would think I'd be chock full of ideas, but that's not the case. I've always found Halloween a difficult subject matter for fiction. This year, however, I ended up writing two Halloween themed stories. One is an as yet unpublished story called The Beauty Mark and other is here for you to read for free. I hope you enjoy it. Happy Halloween!

Fitting In



By Robert Essig

 



It wasn't until my sixteenth birthday that I really fit in with my family.

Sounds crazy, I know, but, no matter how generous my mother, father and older siblings were, I couldn't help but wonder why I looked the way I did. Why did I look like the people outside walking on the sidewalk and those I saw on TV, yet the people who raised me and taught me kindness and trust were monsters?

 

***

I was born on Halloween night.

We all were.

So far as I know it has been some sort of ritual handed down over the years. Just don't ask me how that figures into the unpredictable nature of human conception.

We have a grand party every year on Halloween in celebration of all our birthdays as well as the holiday that celebrates the damned. Yes, I'm well aware of the Samhain roots (and yes, I know how to pronounce it!), but my family's origins came much later, and to us Halloween is a celebration of the damned.

"How'd your mask turn out?" my mother asked.

I gave her a cursory look and then a glance toward the hatbox on my nightstand in which the mask in question was concealed. I finished it weeks ago.

"It's perfect," I said.

My mother nodded. She was so beautiful with her beady eyes like the dark centers of olives in a face of dead green flesh. Her best attribute was her protruding nose, all crooked with the perfect wart on the tip, off centered just to the right.

There would be a lot of kids in witch costumes tonight. They would attempt to look half as good as my mother. As I look into those gleaming little spheres I see all the love she has given me and I hope that someday when I have kids I could be half the mother she is to me.

"I can't wait to see it," she said before patting my knee and walking out of the room.

***

Everyone crowded around the front door at the sound of the flat noted chimes that bellowed down the foyer.

It was midnight.

"I was afraid we wouldn't get even one trick 'r treater this year," said Uncle Rich. Bolts protruded from either side of his neck, one a half an inch lower than the other. His head was flat like someone had cut the top off with a guillotine. He'd never been all that creative.

"It's Julia's sixteenth birthday," said Aunt Patricia. "Of course there's going to be one. I never doubted it."

Aunt Patricia's face was smooth like a porcelain doll, half of it the perfect image of something like a Geisha, the other half cracked with chunks that had fallen out revealing the scaled flesh of the creature beneath.

I'd always admired Aunt Patricia's artistry.

The hatbox with my mask waited for me on a table at the front door.

"Go on," said my father, flashing me a fanged smile.

He and Mother had gone traditional, much like Uncle Rich, but with far more attention to detail.

My brother and sister stood like grinning sentinels, Jim with horns on a head of red flesh and she like a Disney villain of her own creation.

I opened the box. My hard work, blood, sweat and tears were inside. I'd spent almost a year working on the mask. There was a lot a of detail, after all, and I wanted to be sure that my destiny would be as pleasing to the eye as Aunt Patricia's masterwork.

I pulled the mask out of the box and held it up to my face. I didn't turn to face my family and show off my exquisite artistry for that wouldn't matter until the ritual was complete.

The doorbell rang again.

I opened the door, the fingers of my other hand firmly grasping the chin of the mask, holding it up to my face.

The kids were maybe fifteen. Both boys. One with a smeared skeleton face of white and black grease paint; the other with a deadpan Michael Myers mask.

They both took one look at me and dropped their hefty pillowcases of candy. Couldn't see Mike's face, but Mr. Smeary Skull looked like he might need a change of underwear.

Their fright caused my mask to tighten like someone was pulling plastic wrap over my face. I felt an instant of fear, even claustrophobia as the eye holes began to deepen and the mask seemed to want to swallow me up and lock me behind papier-mâché and latex. I let go of the chin. The mask remained fixed to my skin. Soon enough the hollows I had been peering through sank away and, after a feeling like someone had smeared clay across my cheeks, I felt comfortable in my new skin.

I turned from the lonely sacks of candy adorning the porch to face my family.

Aunt Patricia smiled and tilted her head to show the flawless half of her doll face, as if to praise me on my attention to detail. My mother and father smiled as well. My siblings grinned wider as if remembering their own sixteenth birthdays not so long ago.

The snakes that now roiled atop my head hissed their approval. My forked tongue darted over the elongated teeth that now racked my jaws. I put a hand to my cheek, running it down the fine layers of delicate, soft scales.

I have always been apart of this macabre family, but now, after my transformation, I truly fit in.

 

I hope you enjoyed that little Halloween tale. If you are interested, check out my novels Through the In Between, Hell Awaits, and People of the Ethereal Realm.

 

 

31 of My Favorite Horror Flicks

In honor of the month that celebrates all things horror, here are 31 of my favorite horror films, in no particular order. Most of these films are serious favorites and other might drop off the list from time to time, replaced by a great film I have momentarily forgotten about. These days I'm not even remotely as immersed in horror film as I was maybe ten or fifteen years ago. When I was a teenager I had hundreds of horror films on VHS. I even set up two VCRs and taped movies from TV or the ones I rented that were hard to find. Lots of good stuff, lots of schlock, and many classics for the ages. Here's a sampling of my favorites:

Texas Chainsaw Massacre (1974) My favorite horror film. Simple as that. I first saw this gem at my best friend's house when I was fifteen. It had a profound affect on me. I was jaded as far as horror films go, having cut my teeth on such nasty treats as Hellraiser, Dead Alive and Evil Dead (all of which have earned a spot on my list), but TCM scared the shit out of me, and I'll never forget that.

Night of the Living Dead (1968) So much to say about this one, but I'll keep it short. Best zombie flick ever, and probably the most shocking ending in horror, even after all these years. This one holds
up.

 

Castle of the Walking Dead aka Dr. Sadism's Torture Dungeon I love cheesy fifties and sixties horror. This one fits the bill, though done very well even considering the bizarre forest of paper mache trees that have limbs protruding from them. Christopher Lee, an old castle, lots of sound stage echo...who could ask for more

Dead Alive This one has buckets of blood, enough cheese to top a pizza the size of Alaska, and memorable lines like, "I kick ass for the Lord!" Dead Alive goes great with copious amounts of alcohol and greasy Mexican food.

The Hills Have Eyes Texas Chainsaw Massacre in the desert. That sort of simplifies this film, but I'm going with it.

Freaks Tod Browning's crowning achievement. Better than Dracula. You couldn't make film like this one these days, not with the actual performers of old timey freak shows. From my understanding, the bearded woman was the only one who harbored any resentment about the film.

House of Wax (1953) The film that made a life-long Vincent Price fan out of me. I watched this one with my dad when I was fourteen or fifteen. I wanted so badly to watch The Elephant Man and I made it just in time to see the famous ending. I was bummed, but my dad said House of Wax was coming on next and that I should watch it. I'm glad I did.

A Nightmare on Elm Street I was a Freddy fanatic as a kid. I've probably seen part three more than any in the series, but the first one is by far the best. Creepy as hell, particularly the body bag scene.

Poltergeist Most people are shocked when I say this movies still scares the hell out of me. I'd seen it when I was young and though I found it startling it didn't do much for me. I bought it in my late teens, went home and watched it in an empty house and goddamn if it didn't freak me out.

Madhouse My favorite Vincent Price film from the 70s (yes, I like it better than The Abominable Dr. Phibes). This is sort of a period piece, which makes it all the better all these years later. Not only a horror movie, but a mystery to boot. This movie will lead you off in seven directions trying to figure out whodunnit.

The Fly (1986) Probably my favorite remake. Most remakes are a waste of time, a mere cash-in based on a cult favorite and familiarity with a title, but this one updated what is actually a great novelette and kind of a cheesy-ass 50s flick (nope, didn't make the list).

Last House on the Left (1972) This is one of the most shocking films of its time. Parts of this movie make you feel sick to your stomach (kind of how I felt after reading Ketchum's The Girl Next Door). The score is lame and the comic relief scenes with the huckster cops are cringe-worthy, but everything else about this movie is quite effective (the remake wasn't too bad either, but is ultimately unnecessary).

Halloween (1978) Some of the younger folks complain that this movie is slow. Some even (dare I say it) claim that Rob Zombie's remake is ... better. Naw. Carpenter's original is a classic, and I guarantee that more people watch this one on Halloween night than Zombie's version.

White Zombie My favorite Bela Lugosi film. He was my favorite before I was introduced to Vincent Price. The plot is insidious and evil and this could very well be remade into something that fits modern days, under a different title, of course (not by Rob Zombie though...).

Return of the Living Dead Next to Night of the Living Dead this is my favorite zombie flick. The gooey zombie that starts it all is fucking disgusting. Makes you laugh and feel repulsed simultaneously. Horror and humor at its best.

Re-Animator Now here's a nasty little flick. "Herrrrr-Berrrrrrt." I don't know if anyone else noticed, but Dr. Hill looks a lot like John Kerry. I had a hard time, back when Kerry and Bush were battling for the Presidency, not looking at Kerry and seeing him with his own head in a pan, walking around going, "Buuuuush. Buuuuush."

Hellraiser Everything about this move is great. The story, the score, the actors, the sadistic Cenobites, the gore. Part two was pretty good, but I can do without the numerous sequels that followed. I was, unfortunately, introduced to Pinhead via Hellraiser III. At the time I liked the movie, but now I realize how bad it is.

The Skull Peter Cushing and Christopher Lee in an adaptation of a Robert Bloch story about the possessed skull of the Marquis De Sade. I haven't looked for this one in a while, but it has been hard to find. I originally watched it on the Sci-Fi channel during a midnight movie matinee feature they used to have on Saturday nights way back when. I taped it, then watched the VHS so many times that the tape snapped. I haven't seen the movie since, sadly.

Creepshow 1 & 2 I cheated here, but what the fuck. I like both of these movies. My favorite anthology films. Recently I've heard a lot of negativity about part two. Someone even complained about the thing floating in the water in "The Raft", saying it looked like a sheet of plastic. Yes, yes it does, a sheet of plastic with a mind of its own and dead things captured within.

In the Mouth of Madness One of my favorite Carpenter films, and a great way to continue the Lovecraft legacy. There are some genuinely creepy moments in this one, particularly the weirdo on the bicycle and, of course, the nice old lady in the motel.

Evil Dead Way better than the beloved sequel. I never understood why so many people seem to prefer the second instalment. It's good, don't get me wrong, but the first one has it all and doesn't rely on hokey comedy routines like a severed hand running around like It from the Adam's Family.

Killer Klowns from Outer Space I imagine a lot of people groan when they read the title, but this is one of my all-time favorites. The Killer Klowns are absolutely gruesome and hilarious at the same time, and the cotton candy cocoons...gold! The 80's were responsible for so many terrible direct to VHS movies and hackneyed slasher junk, but this one breaks that lame-ass mold.

House Always liked this movie. It's weird. I've always found old houses unsettling. It's an over used trope these days and the shit that is put out bores me to tears, but this movie always puts a smile on my face.

Texas Chainsaw Massacre 2 Not a sequel fan, but this one is loaded with win. There's some humor in it, particularly with Chop Top and that corpse he's always dragging along wherever he goes. Just don't ask what's in the chili.

The Gates of Hell I could lump this one with Fulci's Zombie and The Beyond, but really it's the one of the bunch I like best. Fulci seemed to be most interested in killing off his characters in unusual and memorable ways. I tracked down a lot of his films just to see how the people were going to die.

Tales of Terror This one is a collection of three Edgar Allan Poe tales starring Vincent Price, directed by Roger Corman. I have a great fondness for Corman. He truly was the King of the B's. This is my favorite of his Poe adaptations (next to The Fall of the House of Usher and The Raven). The Black Cat is especially good thanks to a wonderful performance by Peter Lorre. He and Price had great chemistry on that one.

Altered States A mind full of hallucinogenic drugs wile floating in the salted water of a deprivation tank? Yep. The intro to this movie is, particularly the title sequence, one of my favorites. I love the idea of tripping out in a tank and love where this movie takes the scientific idealism of the sixties. Ken Russel's movies are hit or miss, but this one is goddamn amazing. My favorite scene is the ceremony with the Indians and the mushrooms. The trip out scenes were creative as hell, all things considered. Nowadays someone would remake this gem and muck it up with CGI.

Dawn of the Dead (1978) Another worthy sequel. There's so much to like about this movie even if the blood is orange most of the time. Even the cheese-ball music feels right. I'm so burnt out on zombies now, but I'll take this classic over The Walking Dead any day of the week.

Videodrome Way ahead of its time. Great special effect and such an interesting plot. I was kind of confused by it the first time I watched it, so I rewound the VHS and watched it again. The imagery alone is worth the ride.

Bowery at Midnight This is a vastly underrated film, tucked in the shadows of Lugosi's Dracula image. One of a few films I think could be remade if done right. I'd love to write the script. Seems like some of the inspiration may have come from H. H. Holmes (that could be a stretch, but, well, this is my blog and I'll stretch if I want to).

House of Dracula & House of Frankenstein Oh look, I cheated again. These movies are pretty much the same, and they're a lot of fun. My favorite Universal monster movie sequels (or whatever you call 'em). Better than all those weak Son of... Daughter of... run of the mill sequels. Only the Bride of Frankenstein, in my opinion, was a sequel worth its salt, and it could very well be in place of these two. The idea to put several Universal monsters in one movie errs on the ridiculous, but these are fun to watch.


So there you have it. I realize there's a serious lack of modern horror. Hardly anything from the 90's and nothing at all from the 2000's. That just reflects my tastes. I rarely find newer horror worthy of repeat viewings. There's something about the older stuff that talks to me.

Be sure to watch your favorite horror movie this Friday (if you're not partying, that is) and have a Happy Halloween!