My latest novella BROTHERS IN BLOOD is on sale for .99 cents for a short period of time. If you're a Kindle Unlimited subscriber, it is available to you for FREE. Grab a copy HERE.
The contest is simple. Whether you purchase the book now, purchased it already, borrow it for free on Kindle Unlimited, or got an ebook file from me for free, if you leave a review on Amazon by the end of August you can enter to win paperback copies of the first two volumes of the San Diego Horror Professionals anthology series (US only due to shipping costs). You are not required to leave a five-star review or even a positive review. Leave an honest review. That's what it's all about. One you leave a review, tag me on social media or leave a comment here on my blog and your name will be put into the hat. I don't expect to get a lot of participants (contests are always hit or miss), so your chances to win two paperback books is pretty good.
In short, read BROTHERS IN BLOOD, leave a review on Amazon by the end of August, enter for a chance to win paperback copies of SAN DIEGO HORROR PROFESSIONALS VOL. 1 and VOL. 2.
Happy reading!
Showing posts with label dark fiction. Show all posts
Showing posts with label dark fiction. Show all posts
Thursday, August 3, 2017
Wednesday, July 12, 2017
Monthy Newsletter #5 July 2017
Welcome back to my monthly newsletter. Maybe I should call it a newsblog, yes? Before getting to the usual news, reviews, and writerly goodness, I would like to thank everyone who has purchased, borrowed on Kindle Unlimited, or otherwise supported my latest horror novella Brothers in Blood over the past month and a half. This novella has had a better opening than anything I have published. I'm not saying I can quit my day job and write full time or anything, but I can maybe buy a better bottle of whiskey and a lobster dinner. Maybe. At any rate, thanks to everyone who shared a social media post or bought the book. Page reads on Kindle Unlimited have been fantastic. Unfortunately, as of this writing, there are NO Amazon reviews. I'm not going to lose sleep over this, but if you read the novella I would greatly appreciate an honest review. Thanks!
News
The latest San Diego Horror Professionals anthology has been released, this time with even more SD authors than before. My offering, "Brain-Case Soiree," is a Laymon-esqu story that follows a young couple in a strained relationship who decide to explore a long abandoned asylum and find something truly unexpected. You can purchase the anthology HERE in the US and HERE in the UK.
I'm fine tuning two novels that I am sending to two particular publishers for consideration. I have also started a story that I like to call a cross between THEM! and The Descent. The idea came from a recent experience at work and a conversation with my father during a recent visit to Arizona. I've put down another novel I was working on, figuring this one is more marketable. I'll probably end up writing them both simultaneously.
Cool Read
I'm suggesting two books this month.
The Lucky Ones Died First is the debut novella from my pal Jack Bantry. I'm not only spotlighting his book because he's a friend, but also because it's a damn fun read. It's pulp cryptid horror fiction at its best. I think of this novella as Friday the 13th but with Bigfoot rather than Jason. I was lucky enough to beta read this one and was thrilled when I heard Deadite Press picked it up. It's getting good reviews, and rightly so. Purchase it HERE.
It would be remiss of me not to highlight James Newman's Odd Man Out. I bought the paperback a few weeks ago (a different sized trade PB than what I'm used to, but fitting for a novella), and read it in two or three sittings, which is quick for me. Not only am I a slow reader, but I have a young child. 'Nuff said. Yes, Odd Man Out is socially relevant, yes I'm a fan of Newman's work (and I consider him a friend), but more importantly, this was an all encompassing read. The kind of story that truly pulls the reader in and blocks out everything, creating a visceral movie in my mind. This story made me forget that I'm a writer, and that's hard to do, as any writer will tell you. That's the kind of thing that elevates a story. Animosity still holds its place as my favorite Newman read, but this one comes in a close second. You can purchase Odd Man Out HERE.
Featured Fiction
This week I'm going to tell you a little about a story published a while back called "The Nostalgiac." This one appeared in the Post Mortem Press anthology Fear the Abyss, which featured science fiction stories with a horror bend. It was great to be published with so many talented authors such as Jack Ketchum, Harlan Ellison, Mike Arnzen, and Tim Waggoner, just to name a few. "The Nostalgiac" was an idea I dreamed up long before I was invited to this anthology. I saw a pair of intergalactic grave robbers risking radiation to claim entire graveyards on a dying Earth. I wrote half of the story and left it there, not really knowing where to go. When I was invited to submit, I knew this was my only chance. All of the other sci-fi horror stories that I'd written at that point had been published. I thought through my issues with the plot, developed the Nostalgiac angle, and treated it very much like an episode of the Twilight Zone (the story was actually compared to TZ in a review). I think it's my best sci-fi/horror mash-up to date. You can purchase a copy of Fear the Abyss HERE.
Book and Record Acquisitions
I bought quite a few books over the last month. The Ten Little Indians paperback was a nice find at two bucks in a book store I had walked by several times but never stepped inside. I think that and The Seed were pretty much two of the only horror titles they had in the entire store outside of some Stephen King and Dean Koontz. No lie. I looked through the entire store--literature, sci-fi, and fantasy sections--no labelled horror section!--with no luck. There were a few F. Paul Wilson titles, but I already had them. I was also pleased to find a hardcover first edition of The Kill Riff on Ebay (and very affordable to boot!). Here are a few of my finds:
Closing Words
In closing, I have some reflections about life and the genre. First off, the Fourth of July came and passed. I went to the fair with my wife, mother-in-law, and son. We had a great time despite insane numbers of fair-goers. Everyone was so nice. I think that was due to the Fourth being a more family friendly day, whereas an average night at the fair consists of wading through packs of asshole teens and drunk twenty-somethings who wish they were still asshole teens.
So I was looking over my files and wondering if other writers have so much unpublished material. I'm not talking trunked stuff, but novels and novellas that are good enough for publication (or at least I think they are). I have six novels (most teetering on novella status), two novellas, and five unfinished projects. I've been reflecting on how difficult it is to break through in the biz, even on a small level. I'm convinced that networking at conventions and writing conferences is better than blindly submitting to the very few respectable publishers who actually accept submissions. Of course, talent and good stories play a part, but I keep running that quote through my head that I've heard so many masters of the genre say: "It's twenty percent talent; eighty percent luck." The numbers vary depending on who's making that particular quote, but it can be attributed to any number of bestselling authors. I've developed a few fans. They contact me on Twitter, Facebook, and Instagram, and it's surreal. I've earned compliments (mostly for my short fiction), and some harsh criticism (don't we all). I believe in my work and I know I get better with each piece of fiction I pen, whether I trunk it or attempt publication. It's a tough business, but I'm relieved when I read some of the fiction being published and find that there are some amazing authors out there. At least, for the most part, I can see why my stories get rejected, considering the competition. I've been short-listed enough to know I'm on the right path, and I've had some of the best editors in the biz say nice things about my fiction. I have to remember this when self doubt rears its ugly head. Onward and forward and all that jazz.
That last part was long winded. Thanks for reading. See you next month!
News
The latest San Diego Horror Professionals anthology has been released, this time with even more SD authors than before. My offering, "Brain-Case Soiree," is a Laymon-esqu story that follows a young couple in a strained relationship who decide to explore a long abandoned asylum and find something truly unexpected. You can purchase the anthology HERE in the US and HERE in the UK.

Cool Read
I'm suggesting two books this month.

Featured Fiction

Book and Record Acquisitions
I bought quite a few books over the last month. The Ten Little Indians paperback was a nice find at two bucks in a book store I had walked by several times but never stepped inside. I think that and The Seed were pretty much two of the only horror titles they had in the entire store outside of some Stephen King and Dean Koontz. No lie. I looked through the entire store--literature, sci-fi, and fantasy sections--no labelled horror section!--with no luck. There were a few F. Paul Wilson titles, but I already had them. I was also pleased to find a hardcover first edition of The Kill Riff on Ebay (and very affordable to boot!). Here are a few of my finds:
Closing Words
In closing, I have some reflections about life and the genre. First off, the Fourth of July came and passed. I went to the fair with my wife, mother-in-law, and son. We had a great time despite insane numbers of fair-goers. Everyone was so nice. I think that was due to the Fourth being a more family friendly day, whereas an average night at the fair consists of wading through packs of asshole teens and drunk twenty-somethings who wish they were still asshole teens.
So I was looking over my files and wondering if other writers have so much unpublished material. I'm not talking trunked stuff, but novels and novellas that are good enough for publication (or at least I think they are). I have six novels (most teetering on novella status), two novellas, and five unfinished projects. I've been reflecting on how difficult it is to break through in the biz, even on a small level. I'm convinced that networking at conventions and writing conferences is better than blindly submitting to the very few respectable publishers who actually accept submissions. Of course, talent and good stories play a part, but I keep running that quote through my head that I've heard so many masters of the genre say: "It's twenty percent talent; eighty percent luck." The numbers vary depending on who's making that particular quote, but it can be attributed to any number of bestselling authors. I've developed a few fans. They contact me on Twitter, Facebook, and Instagram, and it's surreal. I've earned compliments (mostly for my short fiction), and some harsh criticism (don't we all). I believe in my work and I know I get better with each piece of fiction I pen, whether I trunk it or attempt publication. It's a tough business, but I'm relieved when I read some of the fiction being published and find that there are some amazing authors out there. At least, for the most part, I can see why my stories get rejected, considering the competition. I've been short-listed enough to know I'm on the right path, and I've had some of the best editors in the biz say nice things about my fiction. I have to remember this when self doubt rears its ugly head. Onward and forward and all that jazz.
That last part was long winded. Thanks for reading. See you next month!
Thursday, June 1, 2017
Brothers in Blood is OUT NOW!
That's right! My extreme psychological horror novella Brothers in Blood is now live, available for FREE with Kindle Unlimited or $1.99 to purchase.
"Texas Chainsaw Massacre with twins!" -- Jack Bantry, editor of SplatterpunkZine and author of The Lucky Ones Died First
Twin brothers Kyle and Lyle Morris depend on one another to live and to kill, only Kyle’s strange desires are becoming more twisted with each new body. Lyle, a grown man with the mind of a toddler, doesn’t understand the perversity of his relationship with dead things. Lyle’s caregiver, Desiree, is worried about the big ol’ lug, and she’s terrified of his brother, but she’s been getting those strange letters again, the ones that her stalker ex used to send her, only now it seems as if he wants something she can’t give him.
A necromaniac using his deformed brother for fresh meat; a young woman in the clutches of her ex’s twisted fantasies—blood will flow . . . but who will bleed out first and what will be left of them?
Think Rex Miller's Slob meets HG Lewis's Gruesome Twosome.
The response for this novella has been good. Big thanks to all who have bought a copy. If you have read it, please leave a review. This day in age independent releases live and die by the Amazon reviews. It's sad but true. And remember, you don't have to love a book to review it.
Here are a links to purchase in the US and UK.
Follow me on Twitter, Instagram, and Facebook.
"Texas Chainsaw Massacre with twins!" -- Jack Bantry, editor of SplatterpunkZine and author of The Lucky Ones Died First
Twin brothers Kyle and Lyle Morris depend on one another to live and to kill, only Kyle’s strange desires are becoming more twisted with each new body. Lyle, a grown man with the mind of a toddler, doesn’t understand the perversity of his relationship with dead things. Lyle’s caregiver, Desiree, is worried about the big ol’ lug, and she’s terrified of his brother, but she’s been getting those strange letters again, the ones that her stalker ex used to send her, only now it seems as if he wants something she can’t give him.
A necromaniac using his deformed brother for fresh meat; a young woman in the clutches of her ex’s twisted fantasies—blood will flow . . . but who will bleed out first and what will be left of them?
Think Rex Miller's Slob meets HG Lewis's Gruesome Twosome.
The response for this novella has been good. Big thanks to all who have bought a copy. If you have read it, please leave a review. This day in age independent releases live and die by the Amazon reviews. It's sad but true. And remember, you don't have to love a book to review it.
Here are a links to purchase in the US and UK.
Follow me on Twitter, Instagram, and Facebook.
Sunday, April 30, 2017
Monthly Newsletter #3 May 2017
Welcome back! Yes, I missed two months. I could tell you that I was churning out manuscripts left and right, that I had a busy couple of month saving the world from the grips of evil, or . . . the truth--it slipped my mind. I would really like to post once a week at the minimum here on my blog/website, but I'm a terrible host. I find it difficult to use my writing time on anything other than fiction, but I'll work on that. In fact, I have something brewing that I hope to reveal in another couple of months.
News
I just got the cover for my brand new novella Brothers in Blood. Looks pretty cool, huh? This will be coming out very soon as an exclusive ebook from Grand Mal Press. Think HG Lewis's Gruesome Twosome meets Rex Miller's Slob.
I finally got paid paid for a story that was published a year ago. I know Harlan Ellison would be disappointed with me were he to know--or even really give a damn--that I didn't get paid for a particular story. In fact, I didn't even make a request for the payment when it should have become clear that the publisher was slacking. Shame on me. The release of this particular anthology was lack luster, which kind of caused it to slip off of my radar, so imagine my surprise when someone took over the company and decided to pay the authors and send out contributor copies. Good on them. The real question here is, will Harlan Ellison sue me for not putting a trademark symbol next to his name?
I've been hard at work on an urban fantasy novel I started about two years ago. I have been working off and on, writing stories and other novels when my interest in this one waned. I'm nearing the final stretch and looking forward to typing THE END.
Cool Read
I've been trying to promote newer books books in the cool reads section, but I've been reading older books lately, so this week I would like to spotlight Douglas Clegg's Mischief. This is a Harrow house story that takes place back when Harrow was a dormitory, and deals with the mischief college students get into concerning secret societies and unusual intitiations. I'm a big Douglas Clegg fan, and I love the Harrow books. He finds unique ways to tell stories that revolve around that creepy mansion and this was one of the most unique I have read in the series, adding a layer of history and intrigue to a fictional building that has more to offer than your standard ghost story.
Featured Fiction
This month I am going to highlight a story I co-wrote with Jack Bantry called "A Lesson in Renegade Filmmaking" that was published in Dark Moon Digest #25. This one is for the horror movie fans out there. It's a coming of age story about a kid in the 80s who befriends the local video store owner. As their relationship cements over talk of horror movies and strange lessons regarding the methods in which the movies are made, things get a little strange between the two. It's always fun writing with Jack, and I believe we come up with some killer stories. This is a great jumping off point to our work. Hopefully we'll have some good news soon about a novella we're shopping around.
Thrift Store/Used Book Store Finds
I have found a lot of good books over the past month and a half, so I am only showcasing a few of them. The Laymon books are a particularly good find, both acquired from a used book store I recently discovered. It is becoming more rare to find decent records at thrift stores since the popularity in vinyl has boomed in recent years, so I was pleased to find some good stuff.
Closing Words
Well, this is the third time I've written these closing words. The draft for this newsletter has been hanging around all through April. As I said in the opening words, there is something brewing that will force me to be a bit more punctual concerning my newsletter, but I don't want to spill the beans just yet.
And finally, congrats to all who recently won Bram Stoker awards!
News
I just got the cover for my brand new novella Brothers in Blood. Looks pretty cool, huh? This will be coming out very soon as an exclusive ebook from Grand Mal Press. Think HG Lewis's Gruesome Twosome meets Rex Miller's Slob.
I finally got paid paid for a story that was published a year ago. I know Harlan Ellison would be disappointed with me were he to know--or even really give a damn--that I didn't get paid for a particular story. In fact, I didn't even make a request for the payment when it should have become clear that the publisher was slacking. Shame on me. The release of this particular anthology was lack luster, which kind of caused it to slip off of my radar, so imagine my surprise when someone took over the company and decided to pay the authors and send out contributor copies. Good on them. The real question here is, will Harlan Ellison sue me for not putting a trademark symbol next to his name?
I've been hard at work on an urban fantasy novel I started about two years ago. I have been working off and on, writing stories and other novels when my interest in this one waned. I'm nearing the final stretch and looking forward to typing THE END.
Cool Read
Featured Fiction
This month I am going to highlight a story I co-wrote with Jack Bantry called "A Lesson in Renegade Filmmaking" that was published in Dark Moon Digest #25. This one is for the horror movie fans out there. It's a coming of age story about a kid in the 80s who befriends the local video store owner. As their relationship cements over talk of horror movies and strange lessons regarding the methods in which the movies are made, things get a little strange between the two. It's always fun writing with Jack, and I believe we come up with some killer stories. This is a great jumping off point to our work. Hopefully we'll have some good news soon about a novella we're shopping around.
Thrift Store/Used Book Store Finds
I have found a lot of good books over the past month and a half, so I am only showcasing a few of them. The Laymon books are a particularly good find, both acquired from a used book store I recently discovered. It is becoming more rare to find decent records at thrift stores since the popularity in vinyl has boomed in recent years, so I was pleased to find some good stuff.
Closing Words
Well, this is the third time I've written these closing words. The draft for this newsletter has been hanging around all through April. As I said in the opening words, there is something brewing that will force me to be a bit more punctual concerning my newsletter, but I don't want to spill the beans just yet.
And finally, congrats to all who recently won Bram Stoker awards!
Friday, December 16, 2016
SDHP Vol. 2 HOLIDAY EDITION!
After the success of San Diego Horror Professionals Vol. 1, we've decided to hit the ground running and wrote six more horror tales that revolve around the holidays in San Diego Horror Professionals Vol. 2. Ryan C. Thomas, David Agranoff, Anthony Trevino, Bryan Killian, Chad Stroup, and myself return with all new stories. This time we're decking the halls . . . in blood!
To gear you up for Vol. 2, I invite you to check out this review we just received for Vol. 1 by Marvin Vernon at The Novel Pursuit. This guy is the real deal. Here's what he says about my story "Starving Artist": "I am wary of picking a favorite out of these six works but this is a doozy. It has a delicious Twilight Zone feel . The basic plot is of a woman who falls in love with a painting by a somewhat sleazy looking sidewalk artist and buys more than she realizes. It is a little clever and a lot wicked."
With volume two I was challenged to write a holiday story with a clown. I accepted. I asked a simple question: what do clowns do on Christmas? Sounds like a joke, right? Sounds like something with a funny punchline. Nope. It's a serious story and I believe it delivers a wallop. A Twilight Zone feel for sure. I hope you all check out the book and enjoy our twisted holiday offerings.
To gear you up for Vol. 2, I invite you to check out this review we just received for Vol. 1 by Marvin Vernon at The Novel Pursuit. This guy is the real deal. Here's what he says about my story "Starving Artist": "I am wary of picking a favorite out of these six works but this is a doozy. It has a delicious Twilight Zone feel . The basic plot is of a woman who falls in love with a painting by a somewhat sleazy looking sidewalk artist and buys more than she realizes. It is a little clever and a lot wicked."
With volume two I was challenged to write a holiday story with a clown. I accepted. I asked a simple question: what do clowns do on Christmas? Sounds like a joke, right? Sounds like something with a funny punchline. Nope. It's a serious story and I believe it delivers a wallop. A Twilight Zone feel for sure. I hope you all check out the book and enjoy our twisted holiday offerings.
Saturday, October 22, 2016
Dark Moon Digest Celebrates Six Years!
It's almost Halloween, and that means a new issue of Dark Moon Digest,from the fine folks at Perpetual Motion Machine Publishing. Number 25, to be exact, and that also marks their six year anniversary. Congratulations to Max Booth III and Lori Michelle for continuing to publish this nifty horror magazine, and to Stan Swanson for starting it all back in 2010.
This issue also marks my first time being published in Dark Moon Digest, along with my cohort in evil, Jack Bantry. Our story "A Lesson in Renegade Filmmaking" follows the budding friendship between an odd video store clerk and a young kid who has a hankering for horror films. The clerk has a lot of knowledge to teach the young kid about the finer points of horror film history, but how much is too much?
I love this story. It's a cool little coming of age tale that incorporates some of my favorite horror movies, and it I feel that it winds the reader up for quite a wallop. This one is for all of you out there with a deep love for classic horror films.
Get your copy straight from the publisher, or from Amazon.
This issue also marks my first time being published in Dark Moon Digest, along with my cohort in evil, Jack Bantry. Our story "A Lesson in Renegade Filmmaking" follows the budding friendship between an odd video store clerk and a young kid who has a hankering for horror films. The clerk has a lot of knowledge to teach the young kid about the finer points of horror film history, but how much is too much?
I love this story. It's a cool little coming of age tale that incorporates some of my favorite horror movies, and it I feel that it winds the reader up for quite a wallop. This one is for all of you out there with a deep love for classic horror films.
Get your copy straight from the publisher, or from Amazon.
Tuesday, October 11, 2016
New Local Horror Anthology
There's a brand spanking new anthology from Grand Mal Press featuring some of San Diego's horror writers including myself, as well as David Agranoff, Ryan C. Thomas, Chad Stroup, Anthony Trevino, and Brian Killian.
My story "Starving Artist" examines with the horror of dealing with an uninvited house guest who will NOT go away.
This book is available in paperback right now, with the kindle version to follow soon.
Tuesday, December 8, 2015
Fictional Worlds in Real Places
Special guest post by Mark Allan Gunnells
Some writers create fictional places in
which to set their tales. I’m not
talking just talking about fantasy or sci-fi novels that take places in other
dimensions, realities, or planets.
Sometimes books set right here on Earth in the here and now take place
in fictional places.
King is the most prime example of this
with his town Castle Rock, Maine.
Castle Rock is based on real Maine towns, but the town itself doesn’t
exist except in King’s imagination. As
a writer myself, I’ve done this as well, such as with the fictional town of
Sunset Ridge, South Carolina, in my novel Sequel.
And yet I don’t do this often. More often, I like to set my novels and
stories in real places, places I’m familiar with. This may be places I’ve visited—like Savannah or New Orleans or
Atlanta—but usually it’s the area in which I live.
The place I visit most often in my fiction
is Limestone College in Gaffney, SC.
This is my alma mater, where I spent four pretty enjoyable years of my
life. I have a deep affection for the
school, which seems to manifest itself in a series of tales where horrible
things are always happening on campus.
Weird, I know, but hey, I’m a horror writer. Weird is my bread and butter.
One of my most recent releases, the zombie
novella Fort, takes place at Limestone.
The story deals with a group of students trapped in one of the dorms by
hordes of the undead, the thrust of the plot focusing on a desperate mission to
get to the dining hall for food.
There is a particular joy in setting a
story in a location that is real and familiar.
In some ways it makes it easier, you already know the geography. For me, it’s also fun to imagine scenarios
and situations that can happen in various places.
When plotting out Fort, before the actual
writing began, I actually visited the campus, walked around, thought, “Oh, I
should set a scene here” or “This would be a great place for such-and-such to
happen.” Since so much of the story
took place inside the Fort dormitory, I enlisted the help of my friend Megan
who is the daughter of the college President (and subsequently I dedicated the
book to her) to get me inside the dorm while it was closed down. I wandered the halls, made notes and took
pictures of everything, and that helped tremendously when I sat down to
actually craft the tale.
In some ways, this can really be a thrill
for readers who are also familiar with the location, as they may get a kick out
of recognizing the various places and buildings. I know I feel that way when I read something set in a place I’m
familiar with. For those who’ve never
been there, they may not get anything out of it on a conscious level, but I do
think it helps make the place feel more real to the reader when the writer is
writing with such authority.
I will admit there are times I fudge on
the realism when the story demands it.
I call this “fictional license.”
For instance, I altered some of the construction of the dining hall at
Limestone for Fort because it worked best for the story. I don’t think that’s cheating, it’s just the
nature of blending the real world with the fictional world.
I had so much fun working on Fort and
setting it at Limestone that I hope that it is infectious for the reader, and
whether they’ve ever been to the college or not, I hope when they read the
novella the world I created becomes real to them.
Fort is available at Amazon. While you're there, be sure to check out Mark's author page, where you can find his other books.
Fort is available at Amazon. While you're there, be sure to check out Mark's author page, where you can find his other books.
Sunday, November 29, 2015
New Short Story and News About Salpsan
Step right up! There's room for everyone in the tent. Don't be shy. We're all friends, well, er, fiends here.
I could give you some kind of self loathing cheese to go with my desperate whine, but what fun would that be? Yeah, so it's been a slow writing year (well, not the writing part, slow on the publishing end), big deal, right? It's a goddamned competitive business and there's a lot of talent out there right now. There isn't room for all of us in the micro world of anthologies and magazines whose pages are even worthy of being graced.
Yep, I could bring you down with all of my self doubt, and I've probably started to do that in one freaking paragraph, but alas, I have a new short story out with a publisher I have been trying to work with since they first came on the scene several years ago. I talking about none other than DarkFuse Magazine. Those of you in the horror community know of DarkFuse. If you don't, chances are you're living in a cave in the desert with no wi-fi. My story is called "Inflatable War." It fits somewhere between bizarro and horror and it's weird and wonderful. I couldn't be more proud to have my work grace the DarkFuse website. If you're interested in reading a story about a man dangerously obsessed with an array of inflatable animals, and I know you are, head on over to DarkFuse's website. It only costs .99 cents for a month subscription or twelve bucks for a year, which allows you access to all of the short stories they've published over the years. That's an incredible deal!
Now, about Salpsan. For those of you taking notes, Salpsan is my novella forthcoming from Damnation Books. Some of you are cringing at the mere mention of Damnation Books, but let your hearts not be troubled. Despite all of the bad press DB has had from disgruntled authors, there has been a major change. They have been taken over by Caliburn Press and a lot of changes are underway, most notably for me, the release of my long awaited novella (well, I know I've been waiting a long time for it!). I'm not going to get into the issues DB had with their previous ownership. If you're interested, you can google it. I just hope they can resurrect themselves and polish off their tarnished reputation.
Communication with the new ownership has been stellar. I have been told that Salpsan will be published early to mid December. As publication nears I will make updates with cover art and some teaser posts. I'm really excited for this one. It's quite different from my previous novels, most of which I would classify as urban horror. This one is a dark Gothic tale set in the countryside of Spain. More info to come.
Advanced Praise for Salpsan:
"Robert Essig has crafted one creepy-as-hell tale of modern Gothic horror that sets an ominous tone from the first few words and never lets up. Told from the POV of an unconventional narrator with secrets of her own, Salpsan is a dark, dark story that will prove you wrong several times when you think you know where it's going. I enjoyed it immensely, and can't wait to read more from this writer!"
I could give you some kind of self loathing cheese to go with my desperate whine, but what fun would that be? Yeah, so it's been a slow writing year (well, not the writing part, slow on the publishing end), big deal, right? It's a goddamned competitive business and there's a lot of talent out there right now. There isn't room for all of us in the micro world of anthologies and magazines whose pages are even worthy of being graced.
Yep, I could bring you down with all of my self doubt, and I've probably started to do that in one freaking paragraph, but alas, I have a new short story out with a publisher I have been trying to work with since they first came on the scene several years ago. I talking about none other than DarkFuse Magazine. Those of you in the horror community know of DarkFuse. If you don't, chances are you're living in a cave in the desert with no wi-fi. My story is called "Inflatable War." It fits somewhere between bizarro and horror and it's weird and wonderful. I couldn't be more proud to have my work grace the DarkFuse website. If you're interested in reading a story about a man dangerously obsessed with an array of inflatable animals, and I know you are, head on over to DarkFuse's website. It only costs .99 cents for a month subscription or twelve bucks for a year, which allows you access to all of the short stories they've published over the years. That's an incredible deal!
Now, about Salpsan. For those of you taking notes, Salpsan is my novella forthcoming from Damnation Books. Some of you are cringing at the mere mention of Damnation Books, but let your hearts not be troubled. Despite all of the bad press DB has had from disgruntled authors, there has been a major change. They have been taken over by Caliburn Press and a lot of changes are underway, most notably for me, the release of my long awaited novella (well, I know I've been waiting a long time for it!). I'm not going to get into the issues DB had with their previous ownership. If you're interested, you can google it. I just hope they can resurrect themselves and polish off their tarnished reputation.
Communication with the new ownership has been stellar. I have been told that Salpsan will be published early to mid December. As publication nears I will make updates with cover art and some teaser posts. I'm really excited for this one. It's quite different from my previous novels, most of which I would classify as urban horror. This one is a dark Gothic tale set in the countryside of Spain. More info to come.
Advanced Praise for Salpsan:
"Robert Essig has crafted one creepy-as-hell tale of modern Gothic horror that sets an ominous tone from the first few words and never lets up. Told from the POV of an unconventional narrator with secrets of her own, Salpsan is a dark, dark story that will prove you wrong several times when you think you know where it's going. I enjoyed it immensely, and can't wait to read more from this writer!"
-- James Newman
Author of The Wicked, Animosity, and Ugly as Sin
"With Salspan, Essig takes you on a twisted journey through the Spanish hillside;
one full of intrigue, memorable characters and hellish encounters.
This is a story that will stick with you, long after turning the last page."
--K. Trap Jones
Author of The Sinner, The Harvester and The Charm Hunter
Tuesday, March 31, 2015
Feeling Like an Outsider
I had originally titled this "Feeling Like an Outcast", but after careful consideration I realized that outcast implies that I had somehow been cast out of something, which isn't accurate at all. Sometimes I feel like I'm drifting further and further away from the norm, which means my understanding of modern life is suffering. I think much of this is a part of getting older, but I also realize a lot of it is me. I'm tired of walking around looking at life like some kind of alien, but that's the way it is. Might as well embrace it.
One of my big struggles is technology. I'm in my early thirties. Most of my peers have taken up the techno stuff pretty heartily over the years, but I just don't get it. It's amazing I can even run this blog. Thing is, not understanding technology can really hold one back. Kind of bums me out, you know. If I want to come up with a bookmark design for one of my books, I have to ask someone to do it for me. I've found wonderful people who have done this for me, but when will I outwear my welcome. We're all busy. I have to do this shit for myself and sometimes I feel I will never learn. I just don't have the time or patience, but more importantly I have an outdated computer and no money to buy a new one. Even if I wanted to download some program to learn design, all I would do is slow this old beast down. I have to keep my damn itunes thinned out just to preserve some of my gigs.
Another aspect of life that brings me down is the simple entertainment of television. I just don't get any of it anymore. Sitcoms are so fucking boring these days. I don't get the jokes. I don't get shows with shaky camera and silence. Call me old fashioned, but I like a live audience or laugh track or whatever. Not that I need a cue on when to laugh (I've watched the shows with laughter in the background and I'm just sitting there wondering what the hell was so funny), but I just don't get that particular formula, a la The Office or Modern Family. Another popular type of show is the serial drama/horror show. These are intensely popular. People discuss them on facebook like mad and I just don't get it. I've tried watching Bates Motel and The Walking Dead and American Horror Story and I can't do it. This is two-fold. 1. I have found the plots to be far fetched and unbelievable or just plain out boring, and 2. I have this issue with watching a show on the same night every week. I'm not all that spontaneous, but I always manage to miss a program I want to watch. And no, I don't have any of those DVR/Tivo recording things. (Costs extra money that I'm not willing to pay. Money's tight, you know.) And I'm not even getting into so-called reality TV shows.
I'm not one of those people who wants to drop social media or anything, but I've been scarce as of late. Well, more so than usual. Part of this is due to being in the thick of a new novel. I'm at the point where the gears are in full swing and I'm easily knocking out a couple thousand words a day (which is always a feat because I work full time and have a family). That makes me happy. It's been a long time coming with this particular story. I started it at least five years ago and eventually had to rewrite the first thirty thousand words. When I get this involved in a project, social media is the first thing to go. But there's one more aspect to why I've been feeling like an outsider. Publishing. This is one hell of a tough business. I struggle. And struggle. And struggle. There are publishers who don't have the decency to respond to pitches or short story submissions, which infuriates me. This is nothing new, and it happens to all of us, but that doesn't make it any better. I have a boatload of patience. I've waited over two years for a rejection from a pro zine after being shortlisted. Thing is, they responded to the few queries I sent during that duration of time. Is it so fucking difficult to be a human being, to have decency. Did some publishers forget what it's like to be on the waiting end? And don't get me started on not responding to queries. I can understand that emails get lost or sucked into the SPAM filter, but that excuse only works so many times. Everyone has their goddamned cell phones on them at all times, so how hard is it to write a simple message? By the looks of some people's facebook and twitter output, not hard at all.
I keep writing. I love this new story, and I'm editing a novel I finished at the beginning of the year that I feel optimistic about. Not sure how I'm going to shop it around, but I think I'll try something different. Thing is, whenever I have doubts about publishing I realize that I cannot stop. I love it. I may only sell a few short stories and novels here and there (a mere fraction of my actual output), but so be it. I'm getting better. I'm learning from mistakes and critiques and those leading the path ahead of me. Writing is a balm for my troubled mind. It's a place I can go when everything seems to fall in on me. Life can be a bastard, but I always persevere. This isn't a pity party, just a place I can get some shit off my mind. Better here than on facebook, right?
Keep on doing what gives you pleasure just so long as you're not harming anyone.
Cheers!
One of my big struggles is technology. I'm in my early thirties. Most of my peers have taken up the techno stuff pretty heartily over the years, but I just don't get it. It's amazing I can even run this blog. Thing is, not understanding technology can really hold one back. Kind of bums me out, you know. If I want to come up with a bookmark design for one of my books, I have to ask someone to do it for me. I've found wonderful people who have done this for me, but when will I outwear my welcome. We're all busy. I have to do this shit for myself and sometimes I feel I will never learn. I just don't have the time or patience, but more importantly I have an outdated computer and no money to buy a new one. Even if I wanted to download some program to learn design, all I would do is slow this old beast down. I have to keep my damn itunes thinned out just to preserve some of my gigs.
Another aspect of life that brings me down is the simple entertainment of television. I just don't get any of it anymore. Sitcoms are so fucking boring these days. I don't get the jokes. I don't get shows with shaky camera and silence. Call me old fashioned, but I like a live audience or laugh track or whatever. Not that I need a cue on when to laugh (I've watched the shows with laughter in the background and I'm just sitting there wondering what the hell was so funny), but I just don't get that particular formula, a la The Office or Modern Family. Another popular type of show is the serial drama/horror show. These are intensely popular. People discuss them on facebook like mad and I just don't get it. I've tried watching Bates Motel and The Walking Dead and American Horror Story and I can't do it. This is two-fold. 1. I have found the plots to be far fetched and unbelievable or just plain out boring, and 2. I have this issue with watching a show on the same night every week. I'm not all that spontaneous, but I always manage to miss a program I want to watch. And no, I don't have any of those DVR/Tivo recording things. (Costs extra money that I'm not willing to pay. Money's tight, you know.) And I'm not even getting into so-called reality TV shows.

I keep writing. I love this new story, and I'm editing a novel I finished at the beginning of the year that I feel optimistic about. Not sure how I'm going to shop it around, but I think I'll try something different. Thing is, whenever I have doubts about publishing I realize that I cannot stop. I love it. I may only sell a few short stories and novels here and there (a mere fraction of my actual output), but so be it. I'm getting better. I'm learning from mistakes and critiques and those leading the path ahead of me. Writing is a balm for my troubled mind. It's a place I can go when everything seems to fall in on me. Life can be a bastard, but I always persevere. This isn't a pity party, just a place I can get some shit off my mind. Better here than on facebook, right?
Keep on doing what gives you pleasure just so long as you're not harming anyone.
Cheers!
Monday, November 24, 2014
Blood, Bones and Tim Curran
What I have here for you is a review of Tim Curran's wonderful book Blood, Bones and Bullets, a book I liked so much that I asked him for an interview. He agreed. After my review is the interview. Enjoy!
"The Underdwelling" takes us on a journey beneath the
earth into the caverns of Hobart Mine. Boyd is the new guy and a bit nervous
about an eight-hour day underground. When a new shaft opens up on the lowest
level of the mines Boyd is included in the exploration party. What they find is
a prehistoric world unseen by human eyes. After the opening is collapsed their
fears become real. This story comes alive through the boisterous banter of the men as they
navigate the mines. Curran has a gift with realistic and believable dialogue
that effortlessly carries the story.
Tim Curran: Not much to tell. I work in a factory and write fiction as a hobby
that's probably almost an obsession. It's all I really do. It's taken over
everything. It's a great, hungering beast that allows me no social life or
friends. It's too jealous for that.
RE: One of the elements that stood out in "The
Underdwelling" was the dialogue. The banter between the miners made me
feel like I was right there conversing with them. In the story "Fear
Me" the dialogue is important in weaving a realistic look at life behind
bars including prison slang. How do you approach dialogue?
TC: I would take The White Album by the Beatles because it's weird, catchy,
and creative. Paranoid by Black Sabbath for those days I needed to be a
doom-laden badass. And maybe a
collection of classical music so I could get some culture. I would choose fat
books that would keep me going awhile. The Complete Short Stories of H.G. Wells
because it's fat and the stories are great. War and Peace because it's huge and
I think you can read it five or six times and discover a new novel every time.
My third book would probably be a collection by Thomas Ligotti...although being
alone and reading stories about lonely, alienated, and possibly insane
outsiders might not be a good idea when you're alone on an island. So scratch
that and give me Robinson Crusoe.
Blood, Bones and Bullets
by Tim Curran
review by Robert Essig
Tim Curran weaves a story like he's touching the souls of his
characters and bringing forth the very essence of their lives, as is
exemplified in the three novellas that are collected in the Darkfuse release of
Blood, Bones and Bullets.
The first story (my personal favorite), entitled "Puppet
Graveyard" follows Kitty Seevers as she becomes wrapped up in the bizarre
world of ventriloquist Ronny McBane and his dummy Piggy. It's hard to tell who
the real dummy is, and that Piggy has a mouth on him. Not just a horror story, but a
mystery that brings the reader into the trappings of twisted minds and madness.

The trilogy is capped off with a stint behind the bars of Shaddock
Valley maximum security prison in a story called "Fear Me". You think
prison is rough and tough and scary as hell, just add something that stalks at
night, something that cannot be restricted my mere steel bars and concrete
walls and you've got yourself one hell of a horror story.
Tim Curran is about as prolific as they come, as anyone will see
just perusing his books on Amazon. He has a true talent for telling a story.
Through Tim's prose I had a glimpse into three unique tragedies and I look
forward to relishing in more of his horrific visions.
An interview with the Corpse King himself:
Robert Essig: Hello, Tim! Welcome to my blog. I've got the bone saw and
forceps out, so let's pick your brain a bit. I'll have you stitched up and out
of here in no time. Why don't you begin by telling us a little bit about
yourself?

RE: My favorite story in Blood, Bones and Bullets is "Puppet
Graveyard". Piggy, the ventriloquist dummy in the story, steals the show.
There were some amazing scenes with Ronny and Piggy that created palpable
tension between the two. Where did the inspiration for Piggy come from?
TC: Ventriloquist dolls are weird and creepy. We know they're just wood and plastic and
what not...yet we do not trust them. Like puppets or mannequins, they seem to
have a morbid half-life all their own. They are like us...but grotesque and
exaggerated. There seems to be something behind their shining glass eyes, a
malignant anti-human sort of sentience as if they know something we don't and
have glimpsed things we wouldn't care to see. That's the inspiration for
Piggy--the idea that there might some diabolic, spectral intelligence behind
those eyes, plotting and scheming.
RE: Do you have any rituals that you perform before, during, or
after the process of writing a novel?
TC: No, none. I have a very practical work ethic--I think of an idea
and I let it form in my mind for days or weeks, sometimes months or years. When
it's ready, it floats to the surface. Then I look for the opening sentence that
intrigues me and might grab a reader and I build that into a paragraph. That
first paragraph is important. Whether it's a story, novella, or a novel, it
doesn't matter. The first paragraph sets tone, pacing, atmosphere, everything.
If I have a good first line and first paragraph, I can make things happen.

TC: Every occupation and walk of life has it's own banter. In doing a
story, I research the way the people in it talk, the jargon they use, the lives
they lead. Realistic dialogue is very important. If you lack that, your
characters seem hollow.
RE: What kind of stories do you enjoy reading?
TC: I read just about everything, save for fluff like paranormal
romances. I like horror, of course, but I also devour science fiction. I'm not
so much interested in the genre as I am in the story. If the story grabs me,
I'll read it whether it's mainstream or genre or literary. The storyline is
always the thing. I enjoy history, too. Especially dark history like the Black
Death or the European witchcraft persecutions. Anything like that.
RE: Most of your books are stand-alones at a time when trilogies
and sequels seem to be so popular (particularly when it comes to zombie
fiction). Do you prefer stand-alone stories over a series or sequels and if so,
why?
TC: Sequels are fine, but I rarely think any character is that
fascinating that I want to write (or read) book after book after book about
them. The problem with series is that they run dry pretty fast and part of the
fun of any character is letting/watching them develop. You don't know who they
are in the beginning, you find out a little at a time. In a series, you already
know who they are and what they will and won't do so that takes a lot of the
fun away from it. And if there's a sequel, well, you know somebody's going to
survive so that steals a lot of the narrative tension away. The problem with
zombie series is that 99% of them follow the same tired plot--a group of people
get their hands on machine guns and what not and spend the entire book blowing
away dead people. None of it is scary. They're really not horror novels, but
action-adventure potboilers that throw in a some monsters so there's something
to shoot. You'll find very few that don't have gun plots, ex-military or
special forces type characters. The influence of first-person shooter games is
obvious. And that's too bad because REAL people surviving a zombie pandemic has
potential, but most of it tends to have very thin characterizations or comic
book type hero and villain characters who are more preposterous than the
walking dead themselves.
RE: So you're stranded on a desert island and, I dunno, maybe you
have an old arm crank Victrola. Which three records and which three books would
you like to bide your time.

RE: Maybe someone is reading this who hasn't sampled your work yet.
Which one of your books is a good place to start?
TC: Actually, I think Blood, Bones and Bullets is a perfect place to
sample my stuff.
RE: Describe your writing style in a few words.
TC: I try not to let the dust settle.
RE: Anything coming out soon that you would like to plug?
TC: Next thing I have coming out will probably be Afterburn from
Severed Press. There's also a novel from DarkFuse called Doll Face. Not sure
when that one will be out, though.
I want to thank Tim for doing this interview. I am becoming a rapid fan of his work and will be reading more very soon. I suggest you do the same. Purchase Blood, Bones and Bullets HERE. Visit Tim Curran's website HERE.
Monday, September 22, 2014
Review of James Newman's Animosity
Below is a review of James Newman's novel ANIMOSITY that originally appeared in Splatterpunk #5. After the review is a breif interview I recently conducted with the man himself.
This book will be especially adored by horror authors, not so much because of the horrific elements, but due to what Andy deals with and how he is perceived because of his profession. That being said, this one is for any fan of horror, mystery, or thriller yarns, but I think it’s so good that everyone should read it.
ANIMOSITY is a story about a horror author who finds himself ostracized in large part due to the genre he writes in. Those of us who enjoy dipping our toes into the dark side have, at one time or another, dealt with the question of “why horror?” Did personal experiences influence the creation of this novel?
Not really, at least not to
the degree of the hell that my protagonist goes through in the book. I guess you could say, though, that what
happens to Andy Holland is a very exaggerated account of what we’ve all
experienced at some point – we’ve all seen folks turn their noses up whenever
they learn what kind of stuff we write or the kind of books and movies we love
to read and watch. There are always those
who think that, just because you’re a horror fan, you must be obsessed with
death and gore. Surely you’re a little
bit “weird”!
I can’t say anything yet, as the publisher has asked us not
to until the cover art is done, at which point they’ll make a big
announcement. Last I heard, that should
happen around the end of the year. I
will tell you this: fans of
coming-of-age novels like my own MIDNIGHT RAIN and Mark’s THE SUMMER OF WINTERS are gonna be pleased.
This one should put a smile on the faces of werewolf fans as well.
What does the future hold for James Newman? Anything
coming up or recently released that you would like to share?
Thanks for taking the time for this interview, James! It was a pleasure. I suggest that everyone check out Mr. Newman's books if you haven't done so yet. There are links embedded in the book titles above. Also, consider purchasing a copy of WIDOWMAKERS, a great collection of fiction for a great cause.
Cheers!
Have you ever wondered what would happen if all of your
neighbors turned on you for something you had nothing to do with? Seems
impossible, right?
Not after you read James Newman’s ANIMOSITY.
Andrew Holland is a bestselling horror author recently
divorced and living on the homey street of Poinsettia Lane, the kind of place
where the neighbors wave when you walk by and enjoy a quick bit of chit chat.
They all know about their celebrity horror writer neighbor, though most of them
claim not to read that “horror stuff”. When Andy comes across a murdered child
while taking his dog for a walk, he finds himself the talk of the neighborhood.
He writes that horror stuff, you know.
Though the police acquit Andy of any wrong doing, his
neighbors begin to give him the stink eye. He’s warned that he should leave,
but he’s done nothing wrong. Then he gets a threatening phone call and his car
is vandalized and he finds himself in the middle of a nightmare.
Hands down, this was one of the most engaging books I’ve
read in a long time. With breakneck pacing, a razor sharp plot, and a
protagonist you care desperately for, you have the makings for something that
goes far beyond the realms of mere entertainment. ANIMOSITY jumps out of the
pages and into your mind like witnessing a true-to-life nightmare. You’re
powerless to intervene, no matter how much you want to, so all you can do is
read on and hope someone—anyone!—comes to their senses. But we humans are
strange beasts, are we not?
This book will be especially adored by horror authors, not so much because of the horrific elements, but due to what Andy deals with and how he is perceived because of his profession. That being said, this one is for any fan of horror, mystery, or thriller yarns, but I think it’s so good that everyone should read it.
***
ANIMOSITY is a story about a horror author who finds himself ostracized in large part due to the genre he writes in. Those of us who enjoy dipping our toes into the dark side have, at one time or another, dealt with the question of “why horror?” Did personal experiences influence the creation of this novel?

Thank God, though, my love
for the genre hasn’t put my life in danger.
Yet.
ANIMOSITY is masterfully paced and it was clear to me that it would make one
hell of a good movie if treated right. Have you considered film options or had
any interest in adapting the manuscript into a screenplay?
Thanks so much, Robert.
I’m biased, of course, but I agree -- wouldn’t it make a killer
movie?! There are only a few people who
know about this, but it has been optioned for film a couple times. Several years ago Mark Steensland and Rick
Hautala (R.I.P., old buddy) tried to get a movie made. They wrote a screenplay adaptation of ANIMOSITY
and pitched it around, but unfortunately nothing came of it. Their screenplay was fantastic, and I
couldn’t have been more pleased with it.
Don’t tell anybody, but when I was polishing up the manuscript a bit for
Permuted Press’s recent paperback/digital release I even stole a really cool
scene (with Mark’s permission) that I wished I’d thought of the first time
around. I won’t tell you which one,
exactly, but let’s just say that in the slightly revised edition Andy gets in a
good lick when the situation starts really getting out of hand.
It goes without saying that I would have loved to see a big
Hollywood studio pick up that project (actually, I think a good indie company
would have been even better as far as handling the material the right
way). I wanted to see it happen for
Mark and Rick as much as I wanted it to happen for me . . . OK, almost as
much. (laughs)
It’s no secret that you’ve recently written a novel with
Mark Allen Gunnells, whose work I’ve thoroughly enjoyed. Is there anything you can
say about that book and its future publication? If not (‘cause I know how
hush-hush projects can be before the ink’s dry), could you give us even the
smallest hint of what the story is about or how you and Mark joined forces on
this one?
I’m really proud of
this story, and can’t wait for my readers to get their hands on it. Mark and I made a great team, if I do say so
myself, and our styles gelled very nicely.
WIDOWMAKERS is a brand spanking new anthology to
help you and your family after an incident with a massive tree limb that left
you with a laundry list of injuries. FANGORIA published a great
interview catching us up on how things have been now that some time has
passed, but there’s one question I wanted to ask in the wake of this whole
ordeal: Do you prefer your books in dead tree or digital format?
First of all, I have to say how grateful I am for what you
guys have done for me. I still have a
hard time believing that this was all for ME.
The genre is full of such amazing people (it really makes you wonder
where that “weird” thing is coming from that I mentioned earlier, doesn’t
it? ‘Cause “horror people” are the
sweetest, most generous souls I’ve ever met).
To answer your question, though – that’s an easy one. I very much prefer the print format. Although I understand why folks like them,
I’ve never cared at all for e-books.
Just a personal preference. I
like the look, the feel, even the smell of a book. I don’t even like to read on a computer screen, and will more
often than not print out the work of other writers when I’m asked for a blurb,
etc. (as was the case with your own kick-ass novella, SALPSAN, not too
long ago).
For the record, I’ve always preferred the “dead tree”
format. And not just after my
accident. I’m not a vindictive kinda
guy, despite the stuff I said in the WIDOWMAKERS intro, when I was
pissed -off. (laughs)

Things are kinda slow right
now as far as new releases, other than the collaboration with Mark we discussed
earlier. But I promise I’m working on
that! I have a few things on my plate
that I’m pretty excited about.
My first nonfiction book was published earlier this year: 666 HAIR-RAISING HORROR MOVIE TRIVIA QUESTIONS. I'd like more folks to know about that one, since it's kinda "outside the box" for me, if you will. And very soon a handful of my back titles will be available in digital format from Cemetery Dance Publications: OLDEN, THE FORUM, PEOPLE ARE STRANGE, and DEATH SONGS FROM THE NAKED MAN. The last one's another collaboration, this time with Donn Gash, a fellow I've been friends withfor over 25 years now. Another one I wrote with Donn, an erotic horror novella called LOVE BITES, is on the way via e-book as well. Details to come!
Thanks for taking the time for this interview, James! It was a pleasure. I suggest that everyone check out Mr. Newman's books if you haven't done so yet. There are links embedded in the book titles above. Also, consider purchasing a copy of WIDOWMAKERS, a great collection of fiction for a great cause.
Cheers!
Saturday, May 31, 2014
Splatterpunk # 5 - OUT NOW!
Fiction: Adam Cesare, Shane McKenzie, Monica J. O’Rourke, John Boden. Art: Dan Henk, Jim Agpalza, Daniele Serra, Frank Walls. Interview: Jeff Burk. Non-Fiction: Nathan Robinson, Shane McKenzie, Jack Bantry. Reviews: Gabino Iglesias, Robert Essig, Nathan Robinson, Jack Bantry.
In this issue I review Pus Junkies by Shane McKenzie and Animosity by James Newman. Wanna know what I think of those books? You better grab a copy of Splatterpunk #5 before they sell out, because they always sell out. Just look at the list of contributors and tell me you don't want this mag. I'll look you dead in the eyes and tell you you're lying. Trust me, you want this.
Order your copy HERE.
In this issue I review Pus Junkies by Shane McKenzie and Animosity by James Newman. Wanna know what I think of those books? You better grab a copy of Splatterpunk #5 before they sell out, because they always sell out. Just look at the list of contributors and tell me you don't want this mag. I'll look you dead in the eyes and tell you you're lying. Trust me, you want this.
Order your copy HERE.
Monday, April 28, 2014
People of the Ethereal Realm Excerpt
My novel People of the Ethereal Realm has been out for a little while now. It has been some time since I did any promotion on this book, so I thought I would post the prologue and first chapter here on my blog. I appreciate those of you who take the time to read this. I hope it creates a spark of interested and, of course, I hope you purchase the book. It is available at all major online retailers, and I will provide links after the excerpt.
Enjoy!
After
a pregnant pause, filled with Gerald’s steady breathing, she made her request.
“I need you to find my Arthur. I haven’t seen him in two hundred years.”
For Adam and Justine Kroger, there
was such a wedge (probably made of steel, maybe even titanium) that had been
driven between them. It happened so slowly that neither of them noticed it
distinctly enough to confront one another. If neither truly recognized there
was an issue, they would never know how to properly address it or seek
counseling, now would they?
Their routine always included
Justine heading off to the hospital at ten, while Adam was left home alone for
the night—simple as that. Well, maybe it wasn’t quite that simple.
They were used to sleeping
solitarily—he at night, her in the afternoon. With such a schedule, sex was almost
nonexistent. Seeing one another at odd times—each in different moods and stages
of tiredness—made lovemaking a thing of the past. Yes, she had two days off
every week when their schedules were normal, but on those days Justine only
wanted to catch up on her sleep.
For all he knew, she could be
having a fling with one of the male nurses. What else did they have to do as
they waited for the next car wreck victim or amputee to waltz into the ER? A
lot of time was left getting to know one another, more time than Adam seemed to
have with Justine lately.
What was it with alcohol anyway?
It seemed to have an effect on him that rendered his mind to a basic paranoia
between his wife and their failing marriage. It wasn’t as if she had done
anything behind his back in the past. Nothing
you know of, his mind interrupted.
Has to
be a she, right? Could this obscene intruder be some crazed homosexual?
“Baby, come here,” he said,
reaching for her beneath the covers. As he grabbed for her—wanting to pull her
forward and kiss her the way he’d imagined she was kissing Derek in the storage
closet—the shape beneath the covers disappeared. He gasped, groping air and
empty sheets, searching the empty bed frantically for his wife.
Had she slipped away and was crouched on the floor playing some kind of
trick?
Adam jumped
out of the bed, nearly tripping because of the boxers around his ankles. He
reached the light switch and flicked it on, ready for anything, but there was
nothing. No deranged queer, no Justine. The room was empty.
He looked down at the boxers hanging around his ankles and pulled them up. If there was no one in the room, then how had his boxers been pulled down? He hadn’t pulled them down, he was sure of that. Besides, it felt so real. Disbelieving his own mind, Adam walked around the bed and looked under it for good measure. He found nothing.
“Let me
page her. One moment, please.”
But you’re no teenager.
Praise for People of the Ethereal Realm:
"People of the Ethereal Realm is a wicked tale of possession and mayhem that is sure to unnerve the most seasoned horror fan! It's original, frightening, and very creepy! A ghost tale with razor sharp teeth! I loved it!"
--David Bernstein, author of Damaged Souls and Machines of the Dead
"Robert Essig's voice is a beautiful thing. He wields it like a handcrafted baseball bat, and People of the Ethereal Realm is Essig at his finest, with a story that hits hard but leaves pretty scars."
-- Craig Saunders, author of Deadlift and The Estate
"People of the Ethereal Realm starts off slow, allowing us to get comfortable with the characters, but then picks up so rapidly that you find yourself turning pages for hours. I finished this book in two sittings. Well done!"
-- Michael S. Gardner, author of Betrayal
People of the Ethereal Realm is available at Amazon, Amazon UK, Barnes & Noble, and Smashwords.
Enjoy!
Prologue
IT WAS A NIGHT OF
DISTURBED SLEEP, covers sweaty and forlorn, thrashed and piled atop one
another haphazardly. There seemed to be something stirring, drawing Gerald from
his slumber. Usually, he slept very well—like the dead as some would say, though
he was quite reluctant of using such an analogy.
His eyes
opened into darkness, not to the pitch of night, but of blindness. He could
remember nights when he still had sight, and the fears that the dark seemed to
display in every shadowed corner, silhouettes that would appear perfectly
harmless in the morning light. Now, those fears seemed silly to him.
As he woke
in the middle of the night, sweating and disturbed, it was the sounds—or lack
thereof—that could bring those childhood fears of the dark back to him. Though
it wasn’t the dark, per se, that brought fear into the mind of a blind man.
Gerald
could tell by the utter silence that it was about three in the morning. The
city was always quiet during those wee hours in the middle of the night, long after
last call. The only sound was that of an occasional car driving by.
Yet, there
was something awry, something he could sense, though he was uncertain of what
was wrong. Perhaps an intruder, but he would have heard a noise by now, his
hearing having been amplified in the years since the onslaught of his
blindness. Then something caught his eyes, something shadowed and still,
standing at the foot of his bed. How could that be?
“You can
see me, blind man?” said a soft female voice.
Gerald was
too shocked for words. How could a
woman be standing at the foot of his bed? How was it that he could see her?
She’s no woman, thought Gerald. She’s a spirit.
“I can
smell your fear, blind man . . . but you not need worry of me.”
“How?”
Never before had one of them been able to talk so coherently. This woman was
something of a spiritual miracle, or perhaps a demon. He wasn’t experienced
with demons.
“You need
not know how, blind man. I require your help.”
Gerald was
very used to hearing the phrase “I need your help” from the living, but this
woman—this shrouded figure standing before him—was no longer of the living, of
that he was sure.
Chapter One
LIFE CAN BECOME
SOMEWHAT OF A RITUAL, a routine that sneakily takes hold without notice,
and before too long there seems to be no way to alleviate the monotony. For
some, the simplistic ritual of everyday life is a means of stability and
comfort. For others, it can act as a wedge that creates a divide—each
monotonous ritual a swing of the mallet on that wedge, widening the divide and
further separating what once was whole.
It had been
that way for the past several years of their marriage—hell, for the whole five
years of their marriage. When nine-thirty rolls around, Justine’s dressed in
her scrubs. With a peck on the cheek, she’s off to the graveyard shift at the
hospital.
Adam would
smile, kiss her back, and tell her he’d see her in the morning before work. On
those dreary mornings (he, foggy brained from sleep; she, worn out from work)
they would have an hour together to eat. He would have breakfast, while she
would have what served as dinner. It became a routine, a goddamned ritual. Yet,
they were oblivious to the detrimental effects it was having on their
relationship.
Adam
thought about their predicament while sitting in his easy chair, sipping a beer
and watching Sports Center. This was his little ritual every
night. The one perk of not having his wife around was that he could watch
whatever he damn well pleased on TV. Then there were the nights when he
couldn’t stop thinking about what their lives had become. She was gone every
night, while he sat at home alone, drinking into oblivion. He very much had
begun to realize the throes of their daily routine. It was crazy.
It’s
cryin’ time again.
Adam hated
the thoughts that the beer brought on. His father had called drinking “cryin’
time”. Apparently, his old man had had a lot of “cryin’ time” in his life, too,
for cirrhosis of the liver had taken him at fifty-six.
He took
another swig, trying to focus on the hockey scores, but he couldn’t. His mind
was troubling him more than usual, pestering him with thoughts of
infidelity—his wife with Derek, that male nurse she worked with, her back
against the wall of a storage closet, his hands groping at the landscape of her
body. In Adam’s mind, Derek gives her a kiss, one the French would be proud of,
a kiss a thousand times more passionate than the little peck she gave Adam
before she left the house. Then, he unzips the front of her uniform, and . . .
Shut the
hell up!
It was the
beer again, talking, whispering jealous thoughts into Adam’s ear. It’s
cryin’ time again.
“I should
write a cheesy romance novel thinking up things like that,” Adam said aloud,
addressing an empty room.
“I don’t
know what the hell I’m thinking.”
He took his
empty into the kitchen and exchanged it for a fresh beer. He cracked the top
and took a hefty guzzle. It was getting late, but what would one more hurt?
Back in the
comfy confines of his easy chair, Adam finally extinguished his ridiculous
fears about his wife’s loyalties. What was he so scared of anyway? The hospital
could be busy at night, especially the ER. She was probably getting an IV set
up for someone who’d come down with a terrible sickness, or drawing someone’s
blood, or . . .
Nothin’ to
worry about, Adam thought as he swallowed the last drops of his final beer for
the night. It was after midnight: past Adam’s bedtime. Tomorrow would be like
every other day. How dull does that sound? He would wake up at six in
the morning. Justine would walk in the door around six-thirty, exhausted from a
night of dealing with everything from bloody bodies to crazy night owls and
drunkards. They would have a meal together, and then he would be off to the
shop to build custom cabinets.
Then, she
would do whatever it is she did during the day.
“Don’t even
think about it,” he scolded himself. “She sleeps during the day, does
housework. That’s it. Don’t start in on the cheating shit.”
After
brushing his teeth, he crawled into the lonesome bed. It was the lack of
intimacy that was frying his brain with thoughts of infidelity, thoughts of
Justine and Derek in the storage room at the hospital. For all he knew, she was
having the same questionable feelings toward him. She may be at the hospital
this very minute, racking her troubled mind over the awful thought of Adam at
home, in bed with a mystery woman.
Yeah
right. That’ll never happen.
It was the
last thought Adam had before he retired to the land of dreams. He didn’t sleep
the whole night through, though. There came a disturbance in the middle of the
night, both strange and enticing. It was about three in the morning when Adam
was awoken by the feeling of someone beneath the sheets with him.
At first,
his eyes opened wide at the lump beneath the covers, wondering what was going
on. Instinct told him to kick and push the intruder away, but after gathering
his thoughts together (feeling the unseen bedmate pulling his boxers off) he
realized the person meant no harm. That didn’t make what was happening any
better, but likewise, Adam’s body failed to reject the caressing of soft hands
beneath the sheets. His heart raced as she caressed and stroked him.
To him, it
sure didn’t feel like it, but what did he know about crazed homosexuals? The
hands were petite and soft, definitely a woman’s hands.
As his mind
unglued from the epoxy of deep sleep, he realized what was going on. He felt
ashamed for allowing some mysterious person to pleasure him, because at first
he was willingly acknowledging the possibility that it was indeed a stranger.
It wasn’t anyone unknown, though. The thoughts and feelings were something he
was going to have to keep to himself.
It was
Justine.
She had
done this once before, after unexpectedly being allowed to leave the hospital
early. That was several years ago (back when their bond had been still very
tight, before that pesky wedge began splitting the seam), and it had scared the
shit out of Adam. Though, it was a pleasant surprise.
He smiled
and groaned, letting her know he was awake and enjoying her little surprise. It
had been a long time since they’d been with one another sexually, maybe three
months. He couldn’t have been happier.
And I
was thinking she was hot for Derek.
As good as
her mouth felt, he knew she wasn’t a big fan of giving oral sex.
“Honey,
where are you? I can’t see . . . my eyes haven’t adjusted.”
There was
no response.
“Where are
you? Are you gonna try and sneak up on me again?”
Still no
answer came. The night suddenly felt cold and dark, and just a little
frightening. Had it been some lunatic, some mad-person getting their rocks off
on giving unsuspecting strangers blowjobs in the middle of the night?
Oh my
God!
He looked down at the boxers hanging around his ankles and pulled them up. If there was no one in the room, then how had his boxers been pulled down? He hadn’t pulled them down, he was sure of that. Besides, it felt so real. Disbelieving his own mind, Adam walked around the bed and looked under it for good measure. He found nothing.
It could
have been a dream, but Adam didn’t believe it. He could separate a dream from
the real thing, and what he had felt under those covers had been no dream. If
it were a dream, when had he woken up? He had reached his hand out to his wife,
and with his touch, the sheets had dropped over him as the shape disappeared.
At no point had he felt as though he’d awakened from a dream. It was real, all
of it.
I felt
her hands on my flesh for crying out loud!
As he thought
about it, he could pinpoint when he had woken up. He had awakened as he
felt someone beneath the sheets pulling his boxers down. How could he not wake
up? It was the kind of thing that didn’t happen every night.
It had to be real, he thought in
disbelief. Hadn’t it?
Sitting on
the bed, Adam knew sleep would be nonexistent for the rest of the night. If the
experience had been merely a dream, that would have been one thing. However, he
was adamant that what had happened, what he felt under those sheets, was real.
Even as he thought about it, it seemed real, felt real. He knew the power of
dreams and how life-like they could be, but never before was he convinced that
a dream really happened.
The phone
on the nightstand caught his eye. Perhaps he should call Justine, just to make
sure.
I don’t
need to call her. If that was her, she wouldn’t have snuck away like that. The
gag would be over by now.
Against his
own better judgment, he picked up the phone and dialed the number to the
hospital. After several rings, the receptionist answered. “Kaiser Hospital, how
may I direct your call?”
“May I
speak to nurse Justine Kroger, please,” Adam said, disguising his voice to
sound like that of an old decrepit man.
“Let me
see.”
Oh God,
she’s gonna’ tell me Justine went home early.
“Thank
you.” His old man voice was about as authentic as Pamela Anderson’s breasts.
After what
seemed like a small eternity, a voice he knew very well said, “This is Justine
Kroger.”
Adam
abruptly hung the phone up, as if she would know it was him based on the
pattern of his breathing. He looked at the phone resting in its cradle as if it
were something evil. In some part of his mind, he thought she actually was at
home, playing some elaborate prank on him. It was the only logical explanation.
“If not
her, then who?”
Suddenly,
the house felt eerie. Gooseflesh created a bumpy landscape on his arms, as the
feeling of being watched took hold of his worried mind. The room seemed to
swell—every crack and corner a place that eyes could be watching from, eyes of
the stranger who’d snuck into his bed.
But you
enjoyed it!
He felt
sick because it was the truth. For a moment there, before he thought it was his
wife, he had been ready to go along no matter who it was. It seemed like some
sort of fantasy, where a mysterious woman wakes him out of a sweet slumber for
a night of unadulterated sex, and it had felt good.
Once again
he felt ashamed of himself, the idea of some crazy intruder watching him now
fading like an old Polaroid. It was a dream, he told himself, nothing but the
makings of a teenage sex dream.
With that,
Adam nestled back under the sheets and fell asleep, much quicker than he
thought he would.
***
Praise for People of the Ethereal Realm:
"People of the Ethereal Realm is a wicked tale of possession and mayhem that is sure to unnerve the most seasoned horror fan! It's original, frightening, and very creepy! A ghost tale with razor sharp teeth! I loved it!"
--David Bernstein, author of Damaged Souls and Machines of the Dead
"Robert Essig's voice is a beautiful thing. He wields it like a handcrafted baseball bat, and People of the Ethereal Realm is Essig at his finest, with a story that hits hard but leaves pretty scars."
-- Craig Saunders, author of Deadlift and The Estate
"People of the Ethereal Realm starts off slow, allowing us to get comfortable with the characters, but then picks up so rapidly that you find yourself turning pages for hours. I finished this book in two sittings. Well done!"
-- Michael S. Gardner, author of Betrayal
People of the Ethereal Realm is available at Amazon, Amazon UK, Barnes & Noble, and Smashwords.
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