Writing in Tandem

So I've been collaborating with Jack Bantry for some years now. It all started with a story I submitted to him for SplatterpunkZine. He liked the story but thought it needed something, asked if he could tinker with it and if I liked the outcome we could publish it as a collaboration. Now, I didn't know Bantry outside of a fellow writer who was putting out a cool DIY zine. Had that particular story been one of my recent ones I might have declined, but the story in question, it was called "In the House of Wicking" at the time, had been with me for a very long time, in many different forms. It started as a screenplay when I was in high school, then turned into a short story, and then was completely rewritten two or three times.

I liked the story idea, obviously, but I had to admit that something was indeed wrong. All my efforts with the damn thing were getting me nowhere. I told him to go for it, and what he sent back pretty much blew me away. Bantry had gone through and rearranged some things, added stuff here and there, and gave an emotional depth to a villainous character that was desperately needed. We were off to the races.

Since then we've sold a few short stories in such notable places as Dark Moon Digest and Year's Best Hardcore Horror Vol. 1. Most recently we've published our novella Ain't Worth a Shit with Sinister Grin Press, and Insatiable with Grand Mal Press. There's more to come, including a project with Death's Head Press.

Writing with another author is not something that comes easy for me in the sense that writing is such a solitary act. When Bantry and I started collaborating I was a staunch pantser. I don't think I could have written a book with an outliner, so it was a good pairing since Bantry too is an pantser. These days I write a bullet point outline to streamline my work and utilize my time better. We did this sort of thing toward the end of Insatiable because we found ourselves lagging a bit. I would be interested in collaborating with another author, but I've never reached out to anyone. Part of me fears that the experience might not be as enjoyable as working with Jack. We mesh well together. It takes some time to get a longer story finished, but I appreciate that we don't clash and have a mutual understanding of our process.

 The hard part about collaborating is that I become immersed in other projects when the collaborative story comes back to me, and I sometimes struggle to get back into it. That can be a challenge, especially when we get well into the story. It's not like I'm going to go back and reread the entire thing each time I'm up and need to get a chapter down. The good thing is that I can usually go back a couple of chapters and become reignited. It's a very different process from writing my own story, but ultimately rewarding, particularly when the book comes out. So, now that we have two novellas out and the reviews have been good, I hope you, whoever you are, give our work a chance. And if you do, please consider leaving a review.

Thoughts on Gone South

My second read of 2017 was Gone South by Robert McCammon. Initial thought on finishing it . . . I loved it! I've read a few of his books and this was the best by far. Better than . . . wait for it . . . Boy's Life. Yep, I said it. I actually didn't even finish Boy's Life. I had consumed far too many southern coming of age stories at the time (Fear by Ronald Kelly, Midnight Rain by James Newman, etc.), so I was admittedly burnt out on that trope. I'll finish Boy's Life one day, but for now Gone South takes the cake.

Every character was complex and interesting from our Vietnam vet protagonist who finds himself on hard times and makes a life changing mistake that throws him into a downward spiral of twists and turns through the American South, to the bounty hunters who crisscross the same path looking for him. I mean, you got one guy who is a consummate professional and part time gambler who has an arm and partial face of a twin brother connected to his chest. Team him up with a greenhorn Elvis impersonator who goes by the name of Pelvis, and you have a misfit duo that can't help but get in each other's way. Both of these characters are revealed through the story and far more complex than your run of the mill antagonists. You get to liking Pelvis and even the professional bounty hunter, especially when they make it to a podunk bayou town that runs by its own set of laws, which is to say no law at all.

I'm not going to get into all of the characters, but they were well fleshed out and could have climbed out of the pages. Their motivations were justified by their varied pasts and the actions that set the whole shebang in motion. Every action has a reaction, that's for sure. As crazy as some of this book gets, it's plausible. Not once did I lose my suspension of disbelief.

Gone South is character driven fiction at its very best. This isn't horror, this is a southern fried crime thriller. The cherry on top is a fulfilling ending that brings the plot to completion with a bit of a twist that had me thinking about fate long after I was finished with the book.

Highly recommended especially if you like the twisty, turny plotting of Laymon and the oddball charm of Lansdale's Hap and Leonard books. I know my thoughts don;t get too deep, but I'm hoping that these posts will act as a sort of exercise in the way I consume and analyze fiction. Up next are my thoughts on Andrew Neiderman's Pin. See you soon!

New Anthology: Simple Things

I have a short story out in the brand spanking new anthology Simple Things from Lycan Valley Press.

Simple Things is a consignment shop unlike any other. Inside you’ll find home furnishings, housewares, fashion accessories, toys, books and a number of one of a kind items. But be forewarned; all of our things have a dark and sinister side. Some cut, some bite, some steal your chance for a restful night. With stories from Ross Baxter, Martin Reaves, Gregory L Norris, Jacki Wildman Wales, Paul D Marks, Roy C Booth & Axel Kohagen, Catrin Sian Rutland, K Trap Jones, Jo-Anne Russell, David Tocher, Frank Martin, Lori Safranek, Billie Sue Mosiman, Nicholas Paschall, Terry M West, Joseph M Monks, Sherri Sabastian-Gabriel, Robert Essig, Ken MacGregor, Roy Bishop, Robert Teun, Laura J Hickman, E F Schraeder, Anthony Servante, and V Franklin

 My offering is called "The Beauty Mark". Take one part Marylin Monroe, two parts Halloween, a jigger of evil, and you've got yourself a creepy horror/mystery mash-up.

The book can be purchased HERE.